Music Review: Sophie’s posthumous, self-titled final album still sounds like the future of pop
NEW YORK — Where were you when you first heard the visionary producer and musician Sophie? Was it 2013’s minimalist “Bipp,” the club banger with pitched-up vocals that hit the Internet with such peculiar ferocity as if it crash-landed from outer space? Or was it her Grammy-nominated debut, 2018’s “Oil of Every Pearl’s Un-Insides”? Or … Read more
